A ramble through sources not sauces, cook book writers, the rise of English and OZ cuisine and The Future.
Cara, this superb repository of gastronomic gladdies as
passed down through the generations of McGloin/Kirk families was compiled for
your eighteenth birthday in 1995. It started as a manual of culinary survival,
your skills in that endeavour being, shall we say, unexplored. The aim was to
keep you alive and lively with quick, zesty and inexpensive recipes, such as
Great Aunt Thorley's Noodle, Garlic and Ginger soup, straight from exotic
Refined is the key word here. Some have been refined from the starter's pistol, as in the Bazza's Shepherd's Pie and Bazza's Bonza Thai Beef Salad, and some have been so refined and developed that the origins cannot be traced. In fact there is no copyright on recipes although where I have changed nothing because the original was so superb, I have acknowledged, for instance the brilliant "Prawns with Mustard Seeds" from that distant branch of our family, the Chakravarty McGloins. The recipe itself may be an original Bengali recipe collected, or perhaps developed by Aunt Rama Chakravarty. It is perhaps pertinent to note that the recipe was published in Madhur Jaffrey's book, "A Taste of India", and that our talented aunt was acknowledged.
Many recipes in recipe books are of course traditional - Trad. Arr, (traditional arrangement) to use a very popular musical composition credit. The most famous British cookbook, Mrs Beeton's Book of Household Management which was published in 1861, lists over 200 recipes, a handful of which were her own. In fact she plundered mercilessly, from French, Italian, Spanish and the occasional Brit and set the blueprint for those who followed. Well I say to you, who owns the symphony, the whistler of the tune or the chap who added two hours to it? You know, there was Beethoven walking home from't bus stop in Bury and there was this window cleaner whistling a few notes = and eight symphonies later the maestro remembers....."bloody 'Ell " says Ludvig "that'd make a grand little number, aye, add a few bells and whistles and Gunther's yer uncle". Culinary symphonies are born likewise, add a bit of this and that and soon the trumpets resound and the original embellished beyond memory. After all, it started with one of our hairy ancestors roasting the kill on the fire. "Daaaaarling, this is haute cuisine. Yummy. That rosemary over the brontosaurus is heavenly, Craig. I'll copywrite it. Now, where's my chisel...." This is merely natural progression, however one should be mindful that simplicity be the principle, purity the aim and enhancement the target.
Madhur
Jaffreys is one of the rare breed of great cookery writers; those whose writing
style is a pleasure to read, not merely for the recipe information, but for the
cultural background which invariably evokes aroma, flavour, history and spirit.
Marcella Hazan does the same for Italian cuisine, and Marcella's writing style
is also a pleasure
to read, evoking an understanding and love of the cuisine and an empathy for the
reader. My recipe for Mussel Zuppa Bazza Superba has evolved from Marcella's
simpler recipe "Zuppa di Cozze" from "The Classic Italian Cookbook".
You
will have noticed that earlier references to English cookery in the Cokbok are a
touch uncomplimentary. Our visit to England and Scotland in 1998 has since
modified this opinion, in fact the transported majestic cuisine from the Indian
sub continent has ironically elevated the cuisine of the colonisers, although
the standard Brit take away food from our observation remains mostly less than
inspired. The French saying that the English kill their food twice, firstly when
they slaughter it and secondly when they cook it, has some foundation.
Eh bien, other nations would not have commented, but that's the French,
killing you with Frankness.
However
there appears to be a movement to greater things if the improving standard of
English television cookery shows is anything to go by, and you would expect it
to impact on the common tastebud sooner or later. It started with Keith Floyd in
the late 1980s and 1990s, a chef who presented traditional regional farmhouse
cookery with flair, wine and cream, and then wine again. This style of cuisine
has always been of a high standard, as is evident from the old cookbooks, in
fact some old English banquets were quite ostentatious even by French standards.
If
the cookery books are any indication 19th century English cuisine was
surprisingly exotic. Some dishes seem to have gone out of fashion, for instance
the stewed plover, pigeon pie, boiled calf's head (with the skin on), roast
larks, gosling, leveret, jugged hare, turtle soup and sweetbreads. Then roasted,
hashed, boiled, stewed and occasionally fried wheatears, woodcocks, pheasant,
peasant, widgeon, pigeon and pintail, tongue, brains and various offal bits and
bobs, collared eel, goose and grouse, snipe and teal, pig's feet, boar's
head, ortolan, orang-utan, and myriad sweets, sauces, puddings. They liked meat,
the ancestors, they were dead keen on it, indeed would kill for it.
Breakfast
was modest in Victorian times. Mrs Beeton lists cold meats (whatever the larder
could furnish.....) such as collared and potted meats or fish, cold game or
poultry, veal and ham pies, broiled [grilled] fish such as mackerel, whiting,
herrings, dried haddocks etc, mutton chops and rump steaks, broiled sheep's
kidneys, kidneys a la maitre d'hotel, plus your normal fare such as snags,
eggs, ham and bacon, marmalade etc.
Cara,
one can merely surmise the breakfast repast of our own ancestors, the Chronicles
are sadly lost. However, it would not be unreasonable to assume for instance
that the Great McGloin or Kirk sat down on special occasions to poached salmon
or haunch of venison, if such an ingredient happened by in the course of an
early morning constitutional through the Laird's shubbery to the loch. They
would certainly not have been remiss when it came to the provision of sustenance
or indeed the procurement of a partner for propagation in order that the family
name might survive, and we who are here as testament can humbly give our thanks.
Your
(now sadly departed in 2006) Great Uncle Tom often salutes the ancestors in the old tongue after his fourth
beverage, "Intoxicatii te salutant"
(those who are about to be challenged by perambulation salute you).
This is usually followed by a discourse on the correct season in which to
slaughter the Michaelmas Goose, a discourse he attributes to Horace Bainbridge,
the late renowned chef at Wiggins Teape Paper Mill,
And
those present invariably lift their glasses and reply "Aye, Tom, good man
yourself" and "Michaelmas Tom, aye" and "never a truer word Tom" and
"you’ve got the goose by the gooseberries Tom".
The
matriarch McGloin or Kirk would undoubtedly have been aware
of her very special position within the family hierarchy. Cara, your Aunt
Imogene often likes to emphasise such distinction as follows "Surely a pretty
woman never looks prettier than when making tea. The most feminine and domestic
of all occupations imparts a magic harmony to her every movement, a witchery to
her every glance. At the tea table she reigns omnipotent, for without her spells
the feast would fail to appear. What quaint oddities menfolk are. They may pluck
their plovers, collar their eels, fly their trout, goose their goslings and bag
their boars, and then quizzically scratch their noddles. They are no better than
the quarry. But we love and honour them, so we do. And our pretty and wholesome endeavours
will enhance our station and grace our place at the domestic hearthdom,
so they will. 'Tis a sad day
indeed when womenfolk are deprived of the darling dance at the tea table by a
clodfooted male with plover poo on his plimsoles. A woman with a stove in the
turret is a princess of the hob, so she is."
I
digress. English cuisine seems to have taken an almighty dip in the past 100
years. From cygnet to chops in fact, although chop houses were popular back
then. It's probably just as well that young swans fattened for the table have
fallen from fashion. However, early cookbooks are perhaps not a reflection of
the everyday meals of the household (although this one is), more likely the
aspiration of the middle classes to achieve the sophistication of their "betters". The hupper middle cuisine would undoubtedly have differed from
the lower middle, which of course bore no resemblance to the swill of the plebs.
There was no hupper lower class, the bottom rung had no increments, and indeed,
was slippery from goose drippings. They no doubt perused Mrs Beeton to ascertain
whether to cook clear soup or perhaps juice it up with a bit of turtle.
Surprisingly
the English cookbooks show that recipe ingredients from the 13th century on were
quite exotic and varied. Spices from the East such as mace, cumin, cloves,
coriander - those we now associate with Indian cuisine were quite common -
it seems that the old English in fact liked spicy food. Then something happened
and wowserism crept in, Cromwell or Victoria maybe, and if you read Mrs Beeton
you might assume that the invaders, Romans and Normans, had forsaken garlic when
they crossed the Channel. It appears to have been purposely omitted from her
recipes, surprisingly even the Mediterranean ones. She does mention it as the
"most acrimonious of the alliaceous tribe, the smell being generally
considered offensive" and it was in "greater repute with our ancestors, than
it is with ourselves." Even today when it is readily available, there remains
almost a suspicion of it, particularly among the older folk, that it may be
Napoleon's revenge. The Nuttalls
English Dictionary, of which I have been a proud possessor since my schooldays
defines a garlic-eater as a "low fellow", which reminds me of the story that
my Dad told of the
Back
to cooking shows and the creeping public awareness of a world beyond bangers and
mash. Keith Floyd's later shows investigated Asian, North American and
European cuisines, which must have shifted the common perception away from the
Fanny Craddock School of Cookery, and further enlightened the masses. Also the
younger Brits were starting to travel "abroad", and not merely to enclaves
of British in
The
Two Fat Ladies followed Floyd, about mid 90s I think, and their mixture of
eccentric, imperious with a whiff of bohemian style was appealing. Their total
disdain of fat reduced novelle cuisine, and the health conscious lifestyle in
favour of slabs of super fat cheeses, barrels of beurre and kegs of clotted crème
was flying in the face of medical opinion, and also heartwarming for most of the
audience who didn't eat as much fat as that, and those ladies were undoubtedly
very much alive. Jennifer will always be remembered for her cigarette and wine
at the summing up. The amply proportioned ladies did not stick to Brit cuisine,
drawing on recipes from Slavic, Romanian, Asian and Middle Eastern among others.
The
effervescent West Indian cook,
, with her retiring but obedient partner
, opened the exotica of that cuisine to the Brits - the benefit of
multi culturalism in action. Rick Styne who owns a restaurant in Padstow
presented adventures in seafood which embraced other cuisines, emphasing fresh
ingredients and quick cooking methods. Then
Jamie Oliver, the talented enthusiastic, and some might say brash
This
lad is a gem to watch and listen to. No toffy nosed accent here - straight
Essex/London with luvely jubbley unpretentious articulation - "wot I wanna
do is give it some poke, toss in the coriander and smash it up, easy peezy, a
village idiot could do it". Despite
his youth and streetspeak the depth of his culinary education is evident, but
what makes Jamie unusual is that he is enthused about the recipe and excited about
creating; his recipes are inventive and he is not afraid to mix ingredients from
different cultures to obtain effect.
Jamie
was in Oz last year and spoke highly of the modern Oz chefs who are also
innovative and recognise no boundaries, using bush ingredients together with
Asian or European styles to create exciting dishes with flair.
He employs Oz chefs at his restaurant. A two page Sydney Morning Herald
article recently referred to the demand for Oz chefs in
In
the sixties the effects of migration on the Aussie cuisine was not evident,
except perhaps in small enclaves of the capital cities or in the Cooma district
where many migrants were employed on the Snowy River Hydro Project. In fact
Aussies didn’t really countenance displays of cultural diversity. "New
Australians" were
"encouraged"
to speak English at the least, and those who came from English speaking
countries were open to "encouragement" until they "strined" their
accent. The "wog" weekend picnics were open to ridicule and sometimes abuse;
small wonder then that migrants formed suburban citadels. The Italians settled
in Leichhardt in
The
Chinese have been here since the goldrush days. They came in tens of thousands,
making their way to Ballarat,
Cara,
my first introduction to "cuisine" was not, as you would naturally assume,
through your Nanna McGloin's cooking. You know that after Dad died she
refused to cook for anyone and she has maintained the rage since. Who said the
world is a safer place for it? Not me, I've always maintained that Nanna's
cooking was designed to keep us alive mostly, although her lemon meringue pie
was something to die for, but the recipe is her secret, well one of them. She
has lots, and won't tell, unless you provide a chardonnay, and even then
she;ll make them up. She keeps them close, if she tells she's a goner. Yup
her secrets keep her alive.
She
told me that the famed lemon meringue pie was a packet job. Of course I didn't
believe her, having crowed about it to Denise for years. So, I've gone in
search of the recipe - test driven hundreds in fact, and have come up with the
closest approximation which is now part of your collection.
In
the mid 1960s, following one of our band practices, and subsequent L&E
(libation and evaluation) exercise at the Bridge Hotel, drummer John McGrath
introduced me to the delights of Chinese short soup and long "combination"
soup at Leongs in Nowra. The unique
flavour was a revelation. The next milestone was Indian food at Kings Cross,
then pizza and Italian veal and seafood in Leichhardt in the early 1970s, and
Lebanese and Greek cuisine in Cleveland St Surry Hills in the mid 70s and Slavic
food in Flemington, just down the road from Imogene and Rory's flat.
In
the seventies we cooked Spag Bol, fondues ( which derived from the Swiss I think
- a pot of melted cheese in which you dipped thinly sliced meat to cook then
dipped it a dipping sauce - a leisurely meal ) the Steak Dianne, the Chook in
the Basket, the Beef Wello, veal or chook cordon blue, innumerable unmentionable
casseroles, chops mash and veg - bet they still serve them at Chopper's 70's
style pub. The Spag Bol was a favourite then and remains a favourite
surprisingly - Jamie loves it. So I've included the best version I could
find, which is of course the famous Yorky Beasley's Spaghetti Bolanaise.
In
the early 80s Denise, you and I went to a Vietnamese café in Bankstown and had
a couple of large pho (noodle) soups - the first time we'd tasted fresh
coriander, fish sauce and the wonderful balance of flavours; we must have been
among the first Sydneysiders to try them. Vietnamese and Thai cuisine became
popular and now we have embraced all sorts of esoteric (for us anyway) obscure
regional Asian cookery like the Straits restaurant where we dined in Richmond
Vic. which was a combination of Chinese, Burmese and Indian. Now we have
regional European, Asian and African restaurants popping up and down like
mushrooms, it's a Global Village banquet, a feast of exploding flavours, light
years from the Battered Sav. Rejoice !!