mid  2005 What's New Home Up

 

WHAT'S NEW???

 

The inaugural Calder Place belated mid year Christmas Party in August 2005 was a terrific success. Held in Brynn and Kate's Car Portium (thanks Brynn and Kate)  with The Brynnmeister aka Captain Cocktail mixing splendours in the glass, and fab dishes from all around the world displaying the Calder Place epicurean vision, we enjoyed the Winter Christmas spirit around two half drums of roaring fire. Special guests were Ron and Diana Cody aka The Bishop of North Durras and Missus. The Bishop has recently returned from one of his regular soul aligning trips into the interior where he stretched the legs of his Merc 4 wheel drive. He and Diana are headed for the great concert halls of Europe soon. We wish them well.

 

 

   Ian, Scott and Dr Rob at Christmas in August.  The Chaps. A study in unbridled blokeyness.

More photos at the WEBSHOTS site.

My youngest bro

Anthony McGloin has released his Cd "Nightflight" where the maestro guitarist explores his inner and outer vision with his compositions. My review follows. Check out his website at http://www.anthonymcgloin.com

 

Here it is. Brother Tony's (aka Anthony) long promised CD aptly entitled "Night flight" and available through his website or gigs, where I'm reliably informed he will be pleased to incribe whatever takes your fancy.

 

"Hey Baz, you've been known to string a few words together, you could review it if you like..... it's in the post."  I must admit that I was a little ambivalent about the prospect - I haven't heard Tony play for some time and likely our musical tastes had diverged. Also, the musical product ie. the wee disc into which so much thought and effort, future has been so carefully placed, can be affected by so many factors, for example, choice of tunes, production, arrangements, quality of sound, quality of instruments, technological gremlins heard as low flying flatulence etc, which may result in one's appreciation being dented, if not to say, bingled beyond redemption.

 

He informed me that an Abba track was included, followed by "If I Were A Richman" and coming from my roots preference perspective (as exemplified by my roots programme on Valley FM ), I was somewhat apprehensive.   

 

This CD is quite honestly well worth the price, whatever that is? You know, the young bloke plucks like the little plucker he is, matter of fact he's a better plucker than I gave him credit for. Mate, he can pluck more notes than Kerry Packer on life support. Blood oath. Styles?  He mixes more styles than you can poke a stick at, and then some.......I seriously started thinking of him as Anthony after I'd heard it. It's like our sis Colleen going for the doctorship  - mate, we used to call her Coll and tell her jokes, like the one about men finding women in leather underwear attractive because the aroma remind them of a new ute.......now we send them to the Doctor by e-mail, same response but.......

 

Times change and people do without you realising it, become more skilful, sensitive, start investigating themselves, and others, a whole new world inside, with it's own splendour, depth and surprises. People can shock you. One minute they're Tony, next they're Anthony, or Doc. Same face, somehow different bloke.....different perspective, a shift to the left, a two step was once a stroll, now a shift to the right and Blind Willie shimmies to shades of Django, a dash of Segovia, was slack string open and loose, now tight and pointed, defined, with a grin on the gee-tar and an incisive quirk in the observation.

 

Yeah, there's humour here, check out the "Silly Season", "Oh Dear" or the bridge between "Money, Money Money" and "If I Were A Richman".  Tony's wry humour with the spontaneous laughter beneath, a sort of contradiction in himself really, self depreciatory yet musically snobbish, self contained yet vulnerable, a well honed appreciation of the ridiculous and random, yet reaching for order and control. Life's a bugger, but it's bloody well there and you've got to deal with it. Has it's moments but.....yeah,  and just when you think you've got it sussed, it'll turn around and bite you on the bum.

 

His personality imprints the music where similar discs of this genre can be clinical, albeit well executed. This also is well executed, but there is space for the listener's involvement. It's not all perfect which is just as well; it has grit and thankfully it's not overly polished. The overall sound has an organic feel, with a warmth and snap. The possibilities of Jim William's excellent instruments are realised.

 

The use of dynamics is good, and within the minimalist instrumentation, has attack and subtlety. His control manifests in the use of medium, which is kept to acoustic guitar, mandolin and double bass (played on 3 tracks by Peter Kohlhoff). Like a painter sticking with water colours to keep his artistic vision uncluttered, clear.

 

 " Separate Ways " threw me. It has soul. Bares the soul in fact. Not merely clever playing to display skill, rather a personal statement with it's tenderness, doubt, longing and resignation.  Many musicians wouldn't risk this exposure first up.

 

The three self penned long pieces are also risky, "Ship In the Storm"  "Nightflight" and "Going Home". The listener may not see what the composer intends. On the other hand the imagination of the listener may provide more. What is a canvass painted white? It may mean nothing whatsoever to some; to others - nirvana, or the snow which covers a Crimean battlefield, or the white of an eye. Some of Bob Dylan's throwaway lines have been interpreted to Bob's advantage, no doubt. Critic Greil Marcus recently released a book about "Like A Rolling Stone". Hendrix's  "scuse me while I kiss the sky" was interpreted as "scuse me while I kiss this guy", much to Hendrix's amusement who subsequently sang it the second way, for fun.

 

Regardless, the music itself provides ample interest in it's movement, light and shade, percussion, and soundscape. A musical canvas for the listener's imagination. Loved the shifting plectrum percussive effects in  "Ship In the Storm". "Nightflight" is a rhythmic dervish with elements of Irish, Middle Eastern and Led Zeporama - lovely production too from Robbie Specognia, adding depth and colouration. "Going Home" was a stunner for me, so evocative, standing in the hallway, recollections.......

 

Do yourself a favour and buy this gem. Keep the lad alive and composing. Get your copy signed sealed and delivered from www.anthonymcgloin.com